This was released last year, but I gather most people don’t want to download an interpreter just to try interactive poetry.
You can play, online in your browser, right now (just click on the image below).
Thanks to Juhana Leinonen! (Also, you can find everything else in Hugo as well.)
From the rare Australian cover at the Museum of Adventure Game History. Given there’s only one pirate in the game, it seems to imply you’re the one on the left.
So “Beginner” as a difficulty was right. Perhaps “confusing plot-wise” might also be apropos.
The pirate I mentioned in my last post is indeed the missing crew-mate. You find him sleeping in your flat.
Perhaps he’s the same teleporting one from Adventure? In any case, I’m not sure why he’s all happy at helping you. I almost suspect there was some missing conversation from before the adventure started, but why would he be grouchy at taking your treasure chest then?
So having the pirate on board allows you to sail to Treasure Island.
(Click the image if you want the complete game map.)
Following the map conveniently obtained from the pirate’s treasure chest you can dig up a box with a shovel. The box has … rare stamps? Not what I’d associate with pirate treasure, exactly.
The other treasure involves braving typos:
My dictionary weeps.
The snakes will kill you if you try to take the treasure. However, the helpful mongoose from earlier … is apparently not a mongoose, and if you try to use it, you will end up with a “dead squirrel”.
The parrot, on the other hand, will chase the snakes away, again just like in Adventure.
I liked the parrot so much that I took it home with me in triumph.
You may plausibly ask, what happened to the pirate? Well, he got drunk again, then after I woke him we sailed back to Pirate Island and I went home and got the screen above. He didn’t seem to care about the treasure. I guess for him, rum was the real treasure.
I made something for the limit-yourself-to-300-words Twiny Jam.
It is poetry.
I didn’t think I could do much else in 300 words.
Picture from eBay.
The only real obstacle I made it through since last time was getting by the crocodiles, but that let me make a boat.
>MAKE BOAT
CONGRATULATIONS !!!
But your Adventure is not over yet…
The clever bit was the lagoon; the tide goes in and out. A fish out farther in the ocean gets away if you bring it back when tide is low. If you wait for the tide to be higher (so the fish stays in water longer) you can bring it to the crocodiles and feed them, who let you pass (and access all the supplies mentioned above).
The dynamic aspect helped add to the feel of the environment; too much IF (even modern works) has static terrain.
I’m stuck immediately after.
The only possible “crew” I’ve seen in the game so far is a pirate I immediately bribed away with a bottle of rum; he disappeared and I stole his treasure chest and parrot. Somehow I don’t think he’d be happy to join.
I’ve found a mongoose that has been no use so far, and apparently mongooses also do not count as ship crewmates. The parrot chatters quite a bit and eats crackers but remains unable to hoist the mainsail.
Picture from the Museum of Computer Adventure Game History.
Out of all the Scott Adams games, Pirate Adventure is the only one with a difficulty level of “Beginner”. Does the designation hold up? Heavy puzzle spoilers ahoy.
The map is still a work in progress. Roughly in order of when I did things:
1. There’s a pirate in a grass shack. Getting rid of him is simply a matter of providing a bottle of rum. Then you’re able to take his treasure chest and parrot.
2. There’s a “maze”, but it nearly seems like a formality (unless I’m missing some secret) because the useful destination can be reached from the opening room.
3. The rug at the London flat gives this response upon an attempt to take it:
>GET RUG
Sorry I can’t
Its nailed to the floor!
Fairly early on there’s a “claw hammer”, which when brought back to the flat, you can “take nails”, and then “take rug”, which reveals a set of keys.
5. The keys then unlock the pirate’s treasure chest.
>UNLOCK CHEST
Its open>GET PLANS
>READ PLANS
They’re plans to build the Jolly Roger (a Pirate ship!) You’ll need: hammer, nails,
lumber, anchor, sails, and a keel.
So far I’ve got the hammer, nails, and keel.
6. I know where everything else is, but it requires getting through a locked door in the maze.
I am in a pit. Visible items:
Mean and hungry looking crocodiles. Locked door.Some obvious exits are: UP
>UNLOCK DOOR
Crocs stop me
So far, I don’t think there’s the unfair timing (bees, chiggers, limited light source) of Adventureland, and there hasn’t been what I’d call outright trickery so far. We’ll see if things stay fair.
Cover via Ye Olde Infocomme Shop.
This one’s credited by as being by Alexis & Scott Adams, which marks the first credit in the adventures I’ve played for a woman. (Alexis comes back again in 1979 as a solo credit for Voodoo Castle, and Roberta Williams doesn’t get started until Mystery House with 1980).
Unlike Adventureland (which while fun had a bog-standard setting) Pirate Adventure gives a feel of environment-as-story. The above map represents the starting area, where it’s possible to imagine oneself lounging in a London flat before going on an adventure. I even did some small amount of role-playing, feeling the rug and smelling the book (neither works, but the fact I wanted to is a good sign).
I also find it interesting the number of exits that aren’t n/s/e/w — for example, to go up in the first room you have to GO STAIRS. While slightly irritating in terms of user-friendly interface, it does go some way in unlocking the geography from “the grid” and the artificial “everything is oriented on the compass” feel of a lot of other interactive fiction.
Doing JUMP from the window sends the player to “Never Never Land”, but unfortunately not the good kind. The proper method of exit is the magical word YOHO.
I’M outside an open window
on the ledge of a very tall building>SAY YOHO
Everything spins around and suddenly I’m elsewhere…
I am in a sandy beach on a tropical isle. Visible items:
Small ship’s keel and mast. Sand. Lagoon.
Sign in the sand says:
“Welcome to Pirates Island, watch out for the tides!”Some obvious exits are: EAST
In contrast to Journey to the Center of the Earth Adventure which tries to convey a sense of location via its prose, Pirate Adventure relies on description-by-objects. By not relying on prose descriptions, Scott and Alexis were able to pack in richer detail and possibility given the limitations of the TRS-80.
This one pretty much was over right when it began. Just to be warned, I spoil what is essentially the only puzzle in the game.
From the Museum of Computer Adventure Games.
It turns out getting past the hydra was the only thing to pose any difficulty. I found out the game has a HELP command which when applied in the hydra room gives this cryptic message: “CIGAR? CIGARETTE? TIPPARILLO?”
There’s a nearby cigarette lighter, and I thought — no, it can’t be —
>BURN HYDRA
THE HYDRA CRUMBLES TO THE GROUND DEAD.
Alas, the humble lighter was invented too late for Hercules.
Past the hydra there is a “Mac’s Earthdigger Body Shop” which has the “gonkulator” which you use to fix your ship. No treasures are necessary at all — you can just pick it up, drop in the ship, type FIX GONKULATOR, and get game over.
I hoped, perhaps, there would be challenge then in collecting all the treasures. The “secret passage” on the map has some randomization but other than that all the treasures are in the open.
I have marked on the map all the unnecessary parts. (Click for a full sized version.)
The “shiny sword”, “magic wand”, and “keys” are all useless. The “treasure room” is a joke. I don’t mean that flippantly. It is an actual joke room:
If you go back to the Scott Adams interview I linked to when I wrote about Adventureland, he mentions when he hit the limits of the TRS-80 he knew he was done. The same thing must have happened here; I suspect the author had grand ambitions but ran out of space. Journey to the Center of the Earth Adventure gave me a greater appreciation for Scott Adams’s choice of minimalism in text allowing for greater complexity in game-world.
I have played a later Greg Hassett game (Devil’s Palace) which I enjoyed, so I know at least things are going to get better.
From the Museum of Computer Adventure Games.
I’m not going to go into the history on this one other than to say Greg Hassett was sort of a rival to Scott Adams, but given he wrote his work between the ages of 12 and 14 he never managed the same leverage. He eventually cranked out 8 TRS-80 games and was prominent enough to make a couple news items in 1980, but past that (and a clone of Asteroids in 1981) his game career essentially wrapped up there. (I get more into biographical detail on later posts.)
The chronology of his games I’m using comes from a sadly now-deleted site at Asio City:
Journey to the Center of the Earth, The House of Seven Gables and King Tut’s Tomb in 1978. Sorcerer’s Castle, Voyage to Atlantis and Enchanted Island in 1979. Mystery Mansion, Curse of the Sasquatch, World’s Edge and lastly Devil’s Palace in 1980.
So, is it based on Verne’s book? That would be “no”:
I AM IN A SHIP. ON A COMPUTER SCREEN IN HERE IT SAYS: SHIP WILL NOT FUNCTION — FRIBULATING GONKULATOR IS BURNED OUT. IT IS OBVIOUS THAT THE SHIP HAS CRASHED.
I CAN GO: NORTH, SOUTH, EAST, WEST
I’m honestly puzzled about the “crashed ship” opening because the rest of the game seems to be a “mimic Adventure” style fantasy. This includes treasures that need to be returned to the ship for points (although this objective is never explained in the game itself — I just tested the idea by taking a gold nugget to the ship, dropping it, and seeing if my score increased).
Not yet complete. Click the map for a full-sized version.
Notice the Maze of Twisty Little Passages, or the parrot in a cage, or the chasm which is crossed via (rot13 here) jnivat n jnaq.
Perhaps the only original contribution I have been able to find is this room:
I’M IN…AL’S DINER??? THERE’S A COKE MACHINE HERE. IT SAYS: ENJOY COCA-COLA. 25 CENTS (NO CANADIAN COINS, QUARTER ONLY)
THERE IS SOME TASTY FOOD HERE.
I CAN GO: WEST
Coke Is It!, circa 1978.
GULP GLUK GULP! (BURP) THAT WAS REFRESHING!
In all seriousness, I am stuck on a hydra that apparently needs food (but more than just the tasty food in Al’s Diner) a troll which straight out kills me.
A VOICE BOOMS OUT: WHO DARES TO ENTER MY PALACE??? (SOUNDS LIKE A TROLL TO ME!)
I CAN GO: WEST
ENTER YOUR COMMAND? W
HORRORS! THE TROLL THROWS AN AXE AT ME! I AM DEAD.
There’s also a “secret passage” leading to a “troll’s palace” except trying to go back the way I came leads to a loop. I am guessing some sort of magic word to escape, although the circumstance resembles a bug more than a puzzle.
(Also: not quite wrapped up with MUD1, but given the lack of a definite goal I’ll be poking at it gingerly while I run through my regular adventures.)
Some games I’ve investigated for the All the Adventures project simply don’t seem to exist any more. I have cataloged them here for reference and especially if someone has a lead.
“Lost” doesn’t have to mean “lost forever”. For instance, the book Twisty Little Passages mentions Lugi as not even having a known author, but now the author has a web page.
This is probably my “most wanted”, not only because comments on old newsgroups indicate wide distrubtion, but also the early date (earlier than Adventure!) and author (who earlier wrote Empire and later went on to fame at Lucasarts).
Wander uses “databases” as its worlds. These are reportedly by Peter:
castle: you explore a rural area and a castle searching for a beautiful damsel.
a3: you are the diplomat Retief (A sf character written by Keith Laumer) assigned to save earthmen on Aldebaran III
library: You explore a library after civilization has been destroyed.
tut: the player receives a tutorial in binary arithmetic.
The date of 1974 I have only seen mentioned in one place, the Inform Designer Manual.
Peter Langston’s ‘Wander’ (1974), a text-based world modelling program included in his PSL games distribution for Unix and incorporating rooms, states and portable objects, was at least a proto-adventure: perhaps many others existed, but failed to find a Don Woods to complete the task?
The PSL games distribution might still be active somewhere (it’s mentioned on a gopher at MIT), but not any account I have access to.
We now know that Crowther’s Adventure was already an adventure before Don Woods got to it. Could Wander be an adventure before Crowther? I won’t know unless I find I copy.
(ADD: Big update here.)
I’ve got dual interest in this one, not only from it being a mainframe game from Finland (it was written while Olli was at the Helsinki University of Technology) but also for being allegedly the first interactive fiction book adaptation.
However, by all reports I’ve seen this didn’t have wide distribution and is probably lost forever.
There’s a touch more detail at this newsgroup post from 1995:
With 550 separate locations, this game is huge by most standards. It does not really try to be completely consistent with Tolkien but mixes elements from many other sources. It is clear, however, that it is made with a great love for and knowledge of Tolkien’s books.
The same post mentions The Shire as a text adventure from possibly 1979, which puts the “earliest book adaptation” statement into question. (Orthanc is also mentioned but is an RPG.)
These were written at the University of Waterloo and it mentions here that “Archive tapes for this mainframe exist and it might prove possible to get at the source code for these games.”
From here: “A really big, Zork-like game that started at an innocuous house like Zork and led to a big complex of rooms with treasures and bad guys.”
According to David Cornelson, this was on the Milwaukee Public School’s mainframe in PDP Basic. While the original tape is lost it is possible the game made its way elsewhere.
Gary Kleppe himself later has added some details. The full list is in the comments, but here’s a few relevant parts that might help identify the game:
* At the entrance to the caves is a robot, but you have a laser pistol with which you can shoot it.
* There is a chess set locked down by a computer. If you initially play against the computer you will lose, but if you’ve found and read a certain book then you can beat it and it will give you a trophy (a treasure). After that you can blast the computer to take the set which is also a treasure.
* There’s a room where the description is written backwards, as is any message that gets displayed to you while you’re there. You also need to type commands backwards for the parser to understand them.
![This book is the closest we'll get to "cover art" for MUD1. [Source.]](https://bluerenga.blog/wp-content/uploads/2015/02/mudcover.png)
This book is the closest we’ll get to “cover art” for MUD1. [Source.]
MUD1’s parser has a tone I might describe as “harsh.”
*examine bow
You can examine ’til your heart’s content, you won’t find anything special. Heavens, if I let folk examine things they’d spend the whole game doing it!
This effect can lead to some mind-blowing effects in other games (see the bit in Hitchhiker’s Guide to the Galaxy where a typo destroys a civilization) but here it’s as if the parser is playing along as an ever-present antagonist, ornery about syntax
*burn stick
With what do you want to light the torch? Say things in full, bedlamite!
even when it’s clear the game is capable of understanding but just chooses not to.
*unlock door
Unlock the door with what? If you want to unlock the door with keys, why not say so? Just to please me?
To switch to general theory for moment, I’ve occasionally run into the philosophy that error messages are a good thing and understanding too much will somehow harm the player’s general ability to interact. I’ve never subscribed to that. I feel like if the parser is capable of understanding, it should go ahead and do what the player wants, perhaps indicating what the standard syntax is for future reference.
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| Jason Dyer on Thissala (1979) |
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Renga in Blue 