Renga in Blue   Interactive fiction and the All the Adventures project

From the Haunted Palace manual.

I think my experience of The Haunted Palace is best exemplified by a safe that I found fairly early but had trouble opening. It’s on the west side of the ground floor, as shown here on the map:

I had actually seen mention of the “safe” in the manual already, by the long list of objects catalogued by the steward (including, improbably for the 19th century, Tupperware). There was one and only one safe. Surely the safe would be interesting!

I was unable to get the safe and trying to OPEN SAFE results in WHAT WILL USE TO GET IN OR UNDER THE SAFE ? where the game is technically prompting for a single object. (I’m not sure if I fully understood it was doing that when I first saw the message; some games say a prompt to this effect because they want you to USE the object directly that you want to try out.)

I had to pass by, but in my most recent session I did figure out the safe. I’ll return to it later.

One other big discovery from my last session is I was using secret passages wrong. Specifically, i had the “reveal message” that happened using the hammer and chisel (and clued in the manual!) to open a passage, but got stuck in a wine cellar. It turns out you can just USE WISDOM to spot the secret door, and even though no graphic displays with the message you can move forward anyway and a choice will trigger. This gives the impression the author had a grand mechanic in mind but threw in the towel implementing it more than once.

If you leave and come back, or do something else first, you’ll need to USE WISDOM again.

This particular secret door, incidentally, just leads to a dungeon cell with nothing. Oh well. However, this does mean you can escape the wine cellar area now with this mechanic, but it doesn’t do anything about the non-working stairs. I now suspect the game is incomplete and the stairs may literally never have been implemented.

I suspect this because I made it to the last floor.

Now, I admit to being rather confused getting up to floor 12, being I only went up two flights of stairs from the ground floor to get there, but the way “floors” is divided up in the game seems to get vague and approximate.

I still was in the dark getting up there, but I was getting used to just reading the text anyway.

The chapel to the west seemed kind of important, given one of the “room clues” a message about a casket hidden there, but I tried searching multiple times in every direction and found nothing.

There was another important room I managed to overlook my first time around because a USE WISDOM was needed. You’ll notice a dotted line to the east of the Tower Dungeon. That lets you sneak into a Lavoratory, and then past some spiders…

…into a torch room! The long awaited torches, in basically the last room of the game. Finally some light.

Except … no light. Using the torch didn’t work, even with matches in my inventory. If you’re curious how I got the spider shot, there’s a glitch where if you ATTACK a monster in the dark the room will get lit up. This can admittedly be unnerving in some cases.

I eventually — after some fussing and disbelief — turned to the source code. It’s in straight-up BASIC which I was able to pull up as plaintext. The issue seemed to be here:

2305 IF U(1) = 1 THEN : GOTO 2390
2306 IF U(1) = 3 OR U(1) = 12 THEN : GOTO 2420
2308 IF U(1) = 17 THEN : GOTO 2600
2310 IF U(1) = 17 THEN : GOTO 2600
2312 IF U(1) = 11 THEN : GOTO 2500

This is code that triggers after trying to USE an item. Specifically it checks what types of item it is. 2390 is code for eating. 2500 is the hammer and chisel (or alternately a pick axe). You’ll notice that 2308 and 2310 are duplicates. Since there’s unused code for light sources after, I’m guessing one of them meant to jump to 2700, not 2600, probably with a different number than “17” with the equal sign.

2700 IF DK = 0 THEN :W$ = “BUT ITS NOT EVEN DARK!”: GOSUB 1002: RETURN
2702 W$ = “NOW YOU CAN SEE AGAIN”: POKE – 16304,0: GOSUB 1002: RETURN

However, I’m not quite motivated enough to go through the fix, because — well, I’ve seen all the rooms of the game (or “seen” in some cases), the wine cellar stair was clearly a fake out (there’s not even data for a floor beneath the cellar) and I’ve found all the clues while poking through the source code. I’ve seen in-game all the clues except two, but I’m just going to cut and paste them anyway. Assume, somehow, whatever broke the game is unbroken, and I discovered the incinerated body. (Remember the body that kicked it off, where the gender couldn’t be identified?)

DIAMOND RING IN A HEAP OF ASHES
BLOOD STAINED SCARF
MARRIAGE LICENSE-ED S. & ELIZ. ASHLEY
LETTER TO ELIZABETH FROM ANNE ASHLEY
ELIZABETH’S PICTURE/TO CHARLES-LOVE E.
WOMAN’S MASK AND TAPE
CLUE-BUTLER SLEEPS IN UNTIL 9 A.M.
BOAT TICKET TO BOSTON
UNPOSTED COPY OF EDWARD’S NEW WILL
CLUE-THERE IS A CASKET IN THE CHAPEL
CLUE-TOWN GOSSIP-SOMEONE SAW ELIZABETH
MAID’S SHOPPING LIST-ONE NEW UNIFORM
A NOTE TO CHARLES-MEET ME TONITE IN..
…I CAN’T HIDE THE TRUTH ANYMORE…
CLUE-CHARLES WAS ONCE A FAMOUS ACTOR
CLUE-NO DEATH CERTIFICATE FOR VIRGINIA
SYBIL SAID-HE BETTER NOT LEAVE US OUT
..I CAN HEAR HERMAN’S CRIES EACH NIGHT
IN THE OLD HOUSE PLANS-A SUBCELLAR
KEY #2 MISSING FROM EDWARD’S KEYRING

I’ve seen all of these except “DIAMOND RING IN THE HEAP OF ASHES” (I assume the casket) and the “BOAT TICKET TO BOSTON” which seems like redundant information.

I scoured the source and there doesn’t seem to be a “winning condition” where you leave in “victory”. This seems to be all about the mystery contest, where we need to now identify whodunnit.

I’m going to put my speculation in the comments, and all y’all reading this are welcome to join in. I’ll then make a final summary post sometime next week (unfortunately, unlike Krakit, I haven’t found a published “solution” to confirm ours against).

One last thing, though. The safe. I did open it. There was GUNPOWDER in one of the barrels which I hadn’t tried, and it worked.

I thought maybe it’d have some secret item to unveil the missing casket, but alas: it’s the same key we found outside, under the rock, the one we’ve been toting around the entire game. This feels like a metaphor for the act of playing The Haunted Palace.

In all seriousness, I enjoyed myself in a bizarre way, but more akin to an archaeologist unearthing secrets rather than “playing a game”. But I’ll save talking about that for my conclusion post.